The show runs Fridays and Saturdays, October 8-23, 2010 with a Sunday matinee performance on October 17.

All roles are open:

Linda Waterman: mid 40s-50s – her first book was a non-fiction best-seller; now a professor dying of brain cancer.  (Not not like Wit dying of brain cancer, she lives with it the best she can.)

Michael Waterman: mid 40s-50s – an author of pop-lit who had grander aspirations.

Abby Drake,  late 20s-mid-30s – curator of “The Drake Colony”, a writer’s colony where Linda and Michael both wrote, at different times.  Abby knows both of them, separately.

“The power to change one’s life comes from a paragraph, a lone remark.” – James Salter, Light Years

A bit about the play:  Linda, a successful author turned professor, is dying of cancer, and she asks her husband, Michael, to dispose of her diaries after she’s gone; but she invites him to read them first.  Since she showed him hers, she asks to see his journals before she shuffles off the mortal coil.  He hesitates and then relents — what can he say?  What she reads is at times known to her, and at other times, a revelation.  When she reaches the volume about Michael’s time at The Drake Colony, a writer’s retreat, she recognizes a familiar face from her own time at The Drake Colony.   The play dances around in time and place, so Linda is not always dying, Michael is not always 40ish, etc. But the one thing that endures is their love for one another, even through the dark times, their love binds them together.

For additional information, call the producer, Ellen Glasscock at 908-698-3678.

Mainstage Productions

Fiction

by Steven Dietz, Directed by Jeff Knapp

Auditions: Aug 8 and 10, 2010
Performances: Oct 8-23, 2010

Linda and Michael are successful writers, a happily married couple who thrive on the give and take of their unusually honest and candid relationship. But when they decide to share their diaries with one another, the boundaries between past, present, fact, fiction, trust and betrayal begin to break down.  No life, as it turns out, is an open book.

Six Dance Lessons in Six Weeks

by Richard Alfieri, Directed by Roseann Ruggiero

Auditions: September 26 & 28, 2010
Performances: Nov 19 – Dec 5, 2010

When a formidable retiree hires an acerbic dance instructor, antagonism and mistrust give way to civility, compatability, compassion and loyalty as they swing, tango, foxtrot and cha-cha together.

Urinetown

Music by Mark Hollmann, Lyrcs by Mark Hollman and Greg Kotis, Book by Greg Kotis; Directed by Clifford Parrish

Auditions: December 5 & 8, 2010
Performances: Feb 25-Mar 20, 2011

Don’t let the title keep you away from this hilatious musical comedy that satirizes the legal system, capitalism, social irresponsibility, populism, bureaucracy, corporate mismanagement and municipal politics (just to name a few!) The unconventional plotline may surprise you, but the singing, dancing,  jokes and pokes will have you laughing in the aisles and humming the whole ride home!

Mauritius

by Theresa Rebek, Directed by JayMills

Auditions: March 6 & 8, 2011
Performances: May 6-21, 2011

After their mother’s death, two estranged helf-sisters discover a book of rare stamps that may include the holy grail of stamp collecting.  Philately proves to be more intriguing and far riskier than one might thing, as high-stakes collectors enter their world intent on making the rare find their own.

Grey Gardens

Music by Scott Frankel, Lyrics by Michael Korie, Book by Doug Wright; Directed by Mark Happel & Jeffrey Fiorello

Auditions: February 2011
Performances: July 1-24, 2011

The cult-classic turned smash Broadway musical recounts the story of the Bouvier Beales, the eccentric aunt and cousin of Jackie Kennedy Onassis — oncebrght names on the social register who became East Hampton’s most notorious recluses.

Special Events

Comedy Workshop

Saturday mornings TBA, 9:30 AM – Noon

Kate Lyn Reiter brings back her Comedy Workshoip for Adults and the Comically Curious for a series of Saturdays.

The Actor’s Nightmare

Performances: September 24-25, 2010

Steve Catron heads up Christopher Durang’s sly take on the nightmare that faces all thespians — what happens if you’re thrust onto a stage without knowing any of the lines?

 What do you get when you “marry” 25 glorious voices—each of them soloist quality—and terrific musical arrangements and accompaniment? Well, you get Songs of a Summer Night at the Chester Theatre Group’s Black River Playhouse. But don’t wait to get tickets; this blockbuster of a musical evening runs only through Sunday, July 25, and you’ll be sorry if you miss it.

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All in all, Songs of a Summer Night is a show to lift your spirits, spirits that might be drooping under the summer heat and humidity outside. This refreshing show (performed in an air-conditioned theater, to boot) is not-to-be-missed!

Thanks, Ruth!

Songs of a Summer Night runs one more weekend, closing this coming Sunday.  Tickets are $20 and reservations (strongly recommended!) can be made by calling 908.879.7304.

See you there!

It’s back by popular demand!

Our popular  musical evening, Songs for a Summer Night, will include choral arrangements and group performances from such shows as Les Miserables, Porgy & Bess, Fiddler on The Roof, A New Brain and Songs of a New World and songs by George & Ira Gershwin, David Shire and Frank Loesser, all under the skilled direction of Perry Award winning musical director, Clifford Parrish.

The talented group of 26 performers includes: Karen Cantor, D’ani Dopson, Jeff Dopson, Jeffrey Fiorello, Michael Foley, Ellen Fraker-Glasscock, Barbara Haag, Mark Happel, Eric Harper, Lamont Hill, Robert Jacobson, Julie Jacoby, Scott Jacoby, Tina Kaye, Jodi Maloy, Rich Maloy, Claudia Metz, Alice Regan-Moynahan, Roseann Ruggiero, Christina Ryan, Stuart Scheer, Robert Stone, Ericka Traugh, Roxanna Wagner, Julie Waldman-Stiel, and Dave Villepique.

Performances are scheduled for Fridays and Saturdays, July 16, 17, 23, 24 at 8pm and on Sundays July 18 and 25 at 2pm.  Tickets are $20.00.

For reservations please call 908-879-7304.

Better you should just go read the whole wonderful review.

Some highlights:

“By definition, a farce is a silly play, but marry it to lush melodies gloriously sung by seven very talented actors, lots of double entendres and superb physical comedy and you have the delectable confection that is “Triumph of Love,” currently receiving a triumphant production by the Chester Theatre Group.”

“Musical director Thomas Rodgers has put together an eight-piece orchestra that makes the production seem larger and lusher than it has any right to be. Jeff Fiorello and Billy Brisley have choreographed the action and the dancing to a fare-the-well, and Mark Happel’s costumes have just the right touch of commédia del’arte outlandishness.”

“‘Triumph of Love’ caps a terrific season at Chester Theatre Group, which included “The Receptionist” and “Shirley Valentine.” So for comic hijinks and beautiful music, head on out to the Black River Playhouse on Grove Street in Chester for a triumphant “Triumph of Love.”  It’s a real winner!”

Thanks, Ruth! We couldn’t have said it better ourselves!

So, put down the cerveza and join us… sing a song, read a little and then you can go back out for Cinco de Mayo… :-)

Auditions will be at the Black River Playhouse located on the corners of Grove Street and Maple Avenue in Chester, NJ on Saturday May 1st at 1:00 pm and on Wednesday, May 5th at 7:00 pm. Auditioners are asked to bring music in their key, an accompanist will be provided. Readings will be from the script.

Performances dates are to be determined.  Previously published dates may not be the actual dates.

ABOUT THE STORY

Joe Preston has not had a hit in years, and is hoping his new play will revive his career. He is at the mercy of an audience consisting of two typical “matinee ladies”, a married couple who fight all the time, an anxious young man waiting for his date, an illiterate rock singer trying to impress his date with some culture, a successful business man and his culture vulture wife and three critics–one of whom hates Preston’s work and another who begged his editor not to assign him to his show because Sam, his lover who recently jilted him, is in the cast. Also unexpectedly in the audience is Joe’s beautiful ex-wife who left NY Theater to become a TV Star. This bright show is about these audience members watching opening night of a new play and the drama and comedy aren’t only happening on the stage. Each audience member has a story and the audiences at MUSICAL CHAIRS get to hear them all. The NY POST said “it is clever, it is funny, and it is original.” And VARIETY called it, “a lively, entertaining musical.” The Sam French catalog states, “MUSICAL CHAIRS has marvelous music, hysterical comedy and at least 6 showstoppers which make this a surefire winner!”

CAST BREAKDOWN

With the exception of Sallie and Stage Manager – all are featured roles

• Maddie – Producer – 40+ – mezzo/belt
• Joe Preston – playwright – 35-50 – baritone
• Valerie Brooks – Joe’s ex-wife/tv star – 35-45 – mezzo/belt
• Roberta – matinee Lady #1 – 50+ – mezzo/belt
• Millie – matinee Lady #2 – 50+ – mezzo/belt
• Lillian – culture vulture wife – 40-60 – belt
• Harold – successful businessman – 40-60 – baritone
• Gary – concerned husband – 30-45 – tenor
• Janet – distracted wife – 30-45 – mezzo
• Brad – rock singer with big ego and small intellect– 20s – rock tenor
• Miranda – quirky insecure girl on first date with Brad – 20s – comedic mezzo
• Brown Suit – curmudgeonly old school theater critic -30+ – baritone – dancer
• Blue Suit – positive theater critic – 30+ – tenor – dancer
• Tuxedo –critic who had a personal relationship with actor in show – 30+ – bari/tenor – dancer
• Boyfriend – young guy waiting for new girlfriend to meet him at theater – 20s – baritone
• Sallie – new girlfriend who is late to show – 20s – non-singing role
• Stage Manager – non-singing role – male or female any age

For any questions regarding auditions, please contact the director at ChpMM@aol.com .

Performances of the show are scheduled at 8pm on Friday and Saturday evenings 4/30, 5/1, 5/7, 5/8, 5/14, 5/15, 5/21, 5/22 with matinees on Sundays, 5/16 and 5/23 at 2:00p.m.  Tickets are $24.00 with a Student (under 18) and Senior (65+) discount of $2.00 at all performances.

About the Show:

Love can make a woman do strange things.  Like lie about her past.  Or give up her career for the man she loves.  Or throw off her princessly raiment and disguise herself as a young man in order to infiltrate the guarded “men-only” palace compound of an exiled prince she’s admired from afar, who is secretly plotting to murder her and usurp her throne.  Such is the state of things in this hilarious, bawdy, risque, tongue-in-cheek, double-entendre filled, anachronistic adaptation of the classic Marivaux comedy, “Triumph of Love.”

Cast:

• Agis – Eric Harper of Edison
• Hesione – Julie Waldman-Stiel of West Orange
• Harlequin – Chris Mortenson of Oldwick
• Dimas – Billy Brisley of Whippany
• Hermocrates – Michael J. Foley of Hopatcong
• Princess Leonide – Kathleen Campbell Jackson of Far Hills
• Corine – Tina Kaye of Brick

The theater is located at the corners of Grove Street and Maple Avenue in Chester, New Jersey.   For reservations please call the box office at 908-879-7304.  For directions or additional information about the theatre, please visit our website at www.chestertheatregroup.org

Merriam-Webster Dictionary may define tour de force as “a feat or display of strength, skill or ingenuity,” but if you want to see a tour de force in the flesh, go on out to the Black River Playhouse in Chester where Gloria Lamoureaux stars as Shirley Valentine in the acclaimed Chester Theatre Group’s winter production of Willy Russell’s bittersweet comedy of the same name.

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Gloria Lamoureaux … becomes Shirley Valentine, making Willy Russell’s eponymous heroine jump from the page to the stage in a convincing and natural manner. As a force to be reckoned with, Lamoureaux’s performance is a true tour de force! Her character’s bravado, her bravery, earned her a well-deserved brava from the entire audience (along with a standing ovation) at the end of the play. Add your applause; you’ll be glad you did.

You can read the full review at the Recorder Newspapers site.